Batla Movie Update Review, Release Date, Star Casting, Story
Batla Movie Release Date:
Batla Star Cast:
John Abraham as ACP Sanjay Kumar
Mrunal Thakur as Nandita Kumar
Nora Fatehi as Huma…
Manish Chaudhari as Police Commissioner
Ravi Kishan as Inspector K.K. Verma
Rajesh Sharma as Advocate Shailesh Arya
Sidharth Bhardwaj as Maan singh
Sonam Arora as Shweta Verma
Pramod Pathak as P Krishnan, Defense counsel
Kranti Prakash Jha as Adil ameen
Batla Movie Review:
The story of an upright police officer caught in a sticky situation is BATLA HOUSE. It is the year 2008. Throughout the nation, the Indian Mujahideen have carried out a series of attacks. Their most recent attack occurred on September 13 in Delhi, India's capital. John Abraham plays ACP Sanjay Kumar, whose marriage to Nandita, played by Mrunal Thakur, is fraught with difficulties. His team informs him on September 19 that the perpetrators are confined to a flat in L-18, Batla House in the Okhla neighborhood of the city. His junior officer K K (Ravi Kishan) orders the team to interact with the house's occupants before Sanjay can reach the location. K K is severely injured when students from Okhla University, the occupants, fire at the officers. In the meantime, Sanjay reaches, and he and the rest of the police team eliminate the gunmen. Alok Pandey's Tufail, one of them, is taken into custody. Residents begin chanting anti-police slogans even before the police could leave. Soon, political and media leaders accuse the police of staging a fictitious encounter. In contrast, K K passes away in a hospital. In the meantime, Sanjay finds it challenging to demonstrate that he is correct and that the residents of Batla House were in fact members of the Indian Mujahideen. He also tells the police that two more people escaped from the Batla House apartment, one of whom is Dilshaad Ahmed (Sahidur Rehman). He got away and went to Nizampur, Uttar Pradesh. Manish Chaudhari, Sanjay's senior Jayvir, commands Sanjay not to go to Nimzapur to arrest Dilshaad. However, Sanjay defies the orders and sets out with his team to capture Dilshaad. He is told to back off by a political party leader and hostile residents in Nizampur. However, he persists and tries to transport Dilshaad back to Delhi. On the one hand, the locals are begging for his blood. In contrast, Jayvir and other senior police officers are criticizing Sanjay for his reckless behavior. The subsequent events shape the remainder of the film.
The story of Ritesh Shah is compelling and well-researched. In addition, it is extremely pertinent in the present day. It's possible that not many people are aware of this case or how it sparked such a large debate at the time. Therefore, there is also a sense of novelty. The screenplay by Ritesh Shah is strong throughout, but it falters in the first half. For the film to have a better impact, it should have been simpler but still thrilling and devoid of a strong docudrama vibe. Nevertheless, there is no denying that some of the scenes are extremely scripted. The dialogues of Ritesh Shah are sharp and abrasive. The climax's one-liners are very effective.
The direction by Nikkhil Advani is simply outstanding. He is aware of the delicate nature of the material in his hands. He has handled some scenes skillfully, and the interrogation scene in the first half and the courtroom sequences later demonstrate his brilliance. Additionally, the Rashomon effect is effective in this instance, causing viewers to ponder which version is correct. However, there are a few subpar scenes in the first half. Viewers might even be confused by some scenes. For instance, Sanjay's decision to turn off the camera during a crucial interrogation is baffling. Fortunately, the advantages here far outweigh the disadvantages.
The first half of BATLA HOUSE is decent, but the game as a whole lacks the "Wow" factor. The underlying cause of Sanjay and Nandita's strained relationships is not adequately explained. Because only a portion of the encounter is shown, it is difficult to understand exactly what took place between the students and the police. Also, after a certain point, Sanjay's constant hallucination sequences get a little too much. Positively, however, there are a few scenes that look very promising. When Sanjay quotes from the Holy Quran while questioning Tufail, the movie really picks up. This powerful scene demonstrates how vested interests cleverly misinterpret religious texts for violent gains and will undoubtedly be met with applause. The Nizampur episode is quite thrilling despite being a little over the top. Additionally, the intermission point occurs at a fantastic time. The levels of interest rise after the interval because Sanjay is determined to capture Dilshaad. The film's charm is enhanced by Victoria's (Nora Fatehi) entrance. However, the best comes in the final 35 to 40 minutes. The drama in the courtroom makes you want to clap. Additionally, the film becomes simpler once the entire scenario becomes clear. Consequently, once audiences have a complete understanding, their interest would increase. The film concludes on a high note thanks to Sanjay's monologue at this point.
Without a shadow of a doubt, John Abraham owns BATLA HOUSE. He is not just pretending to be a brave and decorated police officer. In addition, he plays a person who is slammed and abused by everyone. He tells the truth in a way that no one wants to know or accept. John beautifully conveys the trauma he experiences. Additionally, he performs admirably in action scenes and confrontational and dramatic sequences, as is to be expected. The script disappoints Mrunal Thakur a little because the backstory is never revealed. She does, however, perform admirably. She is even more impressive in the second half as the woman who stands up for her husband. Even in a small role, Ravi Kishan makes a big impression. Manish Chaudhari works well. As required by his role, Advocate Shailesh Arya's Rajesh Sharma is quite critical. In the movie, Nora Fatehi adds some much-needed zing. Her role in the movie is minor but significant. Sahidur Rehman and Alok Pandey each play their roles with sincerity. Pramod Pathak (Defense counsel P Krishnan) makes an impact despite his late entry. Others succeed as well.
Except for, of course, "O Saki Saki," there are no memorable songs. The item song is fun to listen to, but it starts off too quickly. Jaako Rakhe and Rula Diya are fine. The background score by John Stewart Eduri is subtle but has an impact. In "O Saki Saki," Adil Shaikh's choreography is visually stunning.
The cinematography by Soumik Mukherjee is top-notch. This is especially true during the chase scene in the small town and the interior shots of the Batla House flat. The production design by Priya Suhas is very realistic. The action by Amin Khatib is thrilling without being bloody or disturbing in any way. In many scenes, Maahir Zaveri's editing is stylish and sharp. However, the impact of some of the scenes in the first half is also affected by this type of editing.
In general, BATLA HOUSE is a potent narrative that is certain to stoke discussion and debate. BATLA HOUSE is one of the best films of the year thanks to John Abraham's outstanding performance, relevant plot, solid screenplay, memorable scenes, and tight script. Its run at the box office will be promising. Recommended!